Midas DL371 Uživatelský manuál

AES50 – Applications in Live Concert Sound Al Walker, MUSIC Group Research UK Limited

Frame-Based Audio TransmissionAES50 (and HyperMAC) take a very different approach to IP-based audio systems.• They use the physical layer only of the

AES50 Performance• 100 Mbit/s over CAT5/CAT5e copper cable (100 metres)• 24 bidirectional channels @ 96 kHz • 48 bidirectional channels @ 48 kHz• Late

AES50 in UseAES50 has been thoroughly proven on many high profile tours, live events and installations including:-Led Zeppelin (O2 Arena), Metallica,

AES50 – Key Attributes for Live SoundAES50 is ideally suited to Live Concert Sound applications, as it simultaneously provides:-• High Channel Count•

Low and Deterministic Latency Keeping transmission latency to an absolute minimum is critical with the increasedadoption of in-ear monitoring.• The de

In-Ear Monitoring Latency – Midas XL8 ConsoleIn a Midas XL8 digital console system, the signal path will be typically configured:-Microphone → Splitte

AES50 Error Detection and CorrectionAES50 has two forms of error detection and correction:-•A Cyclic Redundancy Check (CRC) checksum is calculated at

AES50 ConnectionsAES50 uses the four pairs of Cat 5/5e cable as follows:-1 - Audio data transmit +2 - Audio data transmit –3 - Audio data receive +4 -

AES50 Network Topology• Whilst AES50 is inherently a point-to-point connection, the used of specialised cross-point routers enables the creation of au

Network RedundancyAES50 easily supports the implementation of redundant networks. • Reporting of Error and Link status information such as:-– CRC erro

Presentation• Origins and current status of AES50• Relation to proprietary Klark Teknik SuperMAC and HyperMAC technologies • Frame-Based vs. Packetise

N+1 Redundancy - ExampleN+1 redundant networking can be implemented as follows: • Three 96 kHz AES50 connections can support a maximum of 72 Inputs a

MIDAS XL8 Live Performance SystemDL451DL431Configuration:-• 1 x XL8 Control Centre• 4 x DL431 Mic Splitters• 5 x DL451 Modular I/O• 2 x DL461 Routers

MIDAS PRO6 Live Audio SystemConfiguration:-• 1 x PRO6 Control Centre• 1 x DL371 DSP Engine• 1 x DL351 Modular I/ON+1 RedundantAES50 ConnectionsDL371DL

BEHRINGER X32 Digital Console32-Channel, 16-Bus Total-Recall Digital Mixing Console for Live and Recording Applications• 48-channel digital snake read

KLARK TEKNIK DN9650 Network BridgeThe DN9650 Network Bridge interfaces AES50 networks to Third Party formats:-• Audinate Dante• Aviom A-Net• Cirrus Lo

DN9650 – Network Clock Domain ManagementUsers need to interface AES50 to Third Party networks and external clock sources:-• Very high channel count Bi

DN9650 – Interfacing to Third Party NetworksAES50 XAES50 YThird Party Network –Primary ConnectionThird Party Network –Secondary ConnectionDN9650 Block

AES50 – TV Broadcast EventsLarge scale networks have been deployed for major TV broadcast events featuring multiple Midas XL8 and PRO6 consoles connec

Nobel Peace Prize Concert, OsloA single synchronised networked system with over 300 Inputs and 200 Outputs across three stages was built using dual-re

Nobel Peace Prize Concert 2008

The MUSIC Group • The MUSIC Group is one of the world’s largest holding companies for pro audio and music products brands.• Corporate parent company f

Nobel Peace Prize Concert 2009

Nobel Peace Prize Concert 2010

www.supermac-hypermac.comDedicated Klark Teknik website forProprietary SuperMAC and HyperMACTechnologies• Technical information• Developer and Royalty

Thank [email protected]

AES50AES50 is an Audio Engineering Society open standard defining the bidirectional transmission of multichannel digital audio over 100 Mbit/s CAT 5/

AES-R6Guidelines Document:-AES-R6-2005AES project report -Guidelines for AES standard for digital audio engineering -High resolution multi-channel aud

AES50 and SuperMACAES50 is an Audio Engineering Society open standard• Anyone is free to create their own implementation. SuperMAC is a proprietary i

HyperMACHyperMAC is a higher capacity Ethernet-based digital transmission system, alsocreated by Sony Pro-Audio Lab.• Uses Gigabit Ethernet for higher

AES50 and HyperMAC ComparisonAES50 (SuperMAC)• 100 Mbit/s over CAT5/CAT5e copper cable (100 metres)• 24 bidirectional channels @ 96 kHz (48 bidirectio

Packet-based Ethernet Audio Systems Many Ethernet audio networks use computer industry standards – typically theInternet Protocol (IP).• Audio samples